Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Ulrich Hubner
Hafenansicht

ID: 91850

Ulrich Hubner Hafenansicht
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Ulrich Hubner Hafenansicht


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Ulrich Hubner

(17 June 1872 Berlin - 29 April 1932 Neubabelsberg) was a German painter. He was born into a family of artists, his academic training he received in 1892 in Karlsruhe with Robert Poetzelberger, Gustav Schönleber, and Carlos Grethe. He then studied at the private art school in Munich Friedrich Fehr. In 1899, he was a member of the Berlin Secession, and in 1906 and 1907 was on the board. In 1899, he won the prize for advertising designs for cooperative advertising by Ludwig and Otto Stollwerck Henkell. He painted in Berlin, Havel, and in the summers in Hamburg, Lebeck, Rostock and Travemende (where he had his principal residence from 1909 to 1912), and in particular, many harbor scenes. He showed at Kunstverein in Hamburg in 1910. Some of his works are in the Behnhaus Museum, in Lebeck, and Los Angeles County Museum of Art.   Related Paintings of Ulrich Hubner :. | Felsen bei Capri mit Fischern | Silence | The British fleet advances on the Fortress of Louisbourg en route to victory in the 1745 Siege of Louisbourg. | Still Life with Wild and Garden Flowers | Jerusalem from the Mount of Olives |
Related Artists:
Louwijs Aernouts Elsevier
Dutch painter 1617-1675.
POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
Antonio Munoz Degrain
Spanish , Valencia, 1840 - M - laga, 1924






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